#YEP REVIEW MOVIE#
#YEP REVIEW SERIES#

I tested the Podium on a Stoll T2, not exactly an XC bike but very light and snappy.

Price: € 580 without remote control, € 620 with remote control.īelow you will find a comparative table of the weights of the different dropper seat posts, provided by Yep Components themselves.

Compatible with saddles with Ø7mm or 7x9mm carbon rails.

3D forged and CNC machined 7075 aluminum stem.

Claimed weight: 310g-347g depending on specification.

Hydraulic cartridge, mechanical actuation.

The actuation is mechanical, with the classic steel cable with internal cable routing to reach the Yep Components joystick remote control.īefore we get into the details and riding impression, it’s worth saying that if you’ve been wondering which seatpost won the XC World Championship in 2021, now you know it. It’s a thrilled “Yup!” for Nope.The hydraulic system is in fact inherited from the Uptimizer 3.0, which we have presented to you in this article, and has the prerogative of being able to be opened for maintenance in a few minutes, without special mechanical knowledge.

#YEP REVIEW MOVIE#

This is an original IP event movie full of wonderment, dread and – even if you’ve seen the second trailer – surprises. Some of the narrative’s established rules prove to be flaky but that’s nit-picking. We also get some interesting melding of genres – science fiction and horror, obviously, but also the kind of western adventures with which Hollywood for so long celebrated a time of genocide in the name of ‘civilisation’.Īnd then, after all the build-up, one of the characters says, “It’s heeeere!” (a nod to Spielberg, surely, given he produced Poltergeist) and the final act delivers on spectacle, big time, after so much suspense. Also present is the rebuilding of the relationship between Emerald and OJ, as the former finally steps out of the shadows of the male Haywoods. But that’s OK, because what’s swirling like the dust clouds whipped up by alien activity is fascinating: the spectacle-isation and erasure of Black people, and how being invaded is nothing new for people of colour. “Nope”, “Nah”, “No” say the characters on numerous occasions, and you’ll be nodding in agreement.Īs with Us, the themes here are less explicit, coherent and fully integrated than they were in Get Out.

Sound comes and goes, with the sudden silences that smother the valley proving even more terrifying than the scratchy, quavering score with its insectoid clicks and stabs of strings, or the constant chirrup of cicadas that scuffs and scrapes at viewers’ brains. The action builds slowly, masterfully, all glimpsed shadows in clouds and the kind of uncanny, unnerving images that Peele does so well: a pig on a rooftop, a blood-spattered plimsoll balanced impossibly on its heel, blood raining from the sky. Domm, and the clip is titled Sallie Gardner At A Gallop), and though he was the first movie star, stuntman and animal wrangler, he’s been erased from history. Haywood (he’s historically credited as G. The jockey’s name, say the siblings, was Alastair E.

#YEP REVIEW SERIES#

In fact, Emerald and OJ are the great-great-great-great grandchildren of the Black man riding a horse in the Muybridge clip, the first series of photographs put in sequential order to create a moving image. They are, along with OJ’s chatty younger sister Emerald (Keke Palmer), Haywood Hollywood Horses, providing well-wrangled beasts to screen productions large and small. The older man, dead these past six months, was his father, Otis Haywood Sr (Keith David). The action cuts to half a year later and we learn that the younger man is sombre, taciturn OJ Haywood (Daniel Kaluuya). Has he been shot? Heart attack? A key, of all things, sticks out of the stallion’s bloodied flank. In the very next scene, set on a Californian ranch encircled by mountains, an older and younger man are training a horse when strange noises fill the valley. And the weirdness is only just beginning.

It's a killer opening, strange and disquieting.

Yep review